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Performance Reviews

Silvery and Winsome."

The Washington Post

Concert with US Men's Army Chorus

Diane Atherton (as the Angel) sang with light keenly focused sparkle."

Chicago Tribune

Handel's La Resurectione

Most exciting was Diane Atherton’s virtuoso account, radiant alongside the children’s chorus."

Hugh Vickers

Carmina Burana, Oxford​

Atherton got a chance to show off her attractive soprano."

John Allison, The Times

Carmina Burana, QEH London

Nothing but praise." 

Rodney Milnes

The Times

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Soprano Diane Atherton has an exceptionally fine voice, a sensuous and susceptible Eve, but quite capable of playing the dominatrix." 

David Sonin

The Garden, QEH London

Diane Atherton has a champagne voice." 


Raymond Gubbay, Glasgow Herald

J. Strauss Gala

Diane Atherton in the role of Gilda, Rigoletto’s daughter, shone like a beacon in a dark world, with a rich and ringing tone from the singer providing more than a few frissons of pleasure." 

Micheal Darvel; What’s On Rigoletto

Linbury Studio, Royal Opera House

Exemplary phrasing in the Handel, a radiant Micaela brought the house down with Mein Herr Marquis." 


Hugh Vickers

Opera Gala, Oxford

Outstanding among the sopranos....Diane Atherton singing most beautifully in the night solo of Act 2.

Naxos's recording of The Fairy Queen

Penguin Guide

Magical singing from Diane Atherton as Pamina." 


Harlow Citizen

Die Zauberflote

Most outstanding was Diane Atherton as Pamina."


Bucks Herald

Die Zauberflote

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