Silvery and Winsome."
The Washington Post
Concert with US Men's Army Chorus
Diane Atherton (as the Angel) sang with light keenly focused sparkle."
Handel's La Resurectione
Most exciting was Diane Atherton’s virtuoso account, radiant alongside the children’s chorus."
Carmina Burana, Oxford
Atherton got a chance to show off her attractive soprano."
John Allison, The Times
Carmina Burana, QEH London
Nothing but praise."
Soprano Diane Atherton has an exceptionally fine voice, a sensuous and susceptible Eve, but quite capable of playing the dominatrix."
The Garden, QEH London
Diane Atherton has a champagne voice."
Raymond Gubbay, Glasgow Herald
J. Strauss Gala
Diane Atherton in the role of Gilda, Rigoletto’s daughter, shone like a beacon in a dark world, with a rich and ringing tone from the singer providing more than a few frissons of pleasure."
Micheal Darvel; What’s On Rigoletto
Linbury Studio, Royal Opera House
Exemplary phrasing in the Handel, a radiant Micaela brought the house down with Mein Herr Marquis."
Opera Gala, Oxford
Outstanding among the sopranos....Diane Atherton singing most beautifully in the night solo of Act 2.
Naxos's recording of The Fairy Queen
Magical singing from Diane Atherton as Pamina."
Most outstanding was Diane Atherton as Pamina."